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Delicate is just not a phrase that floats to thoughts for Keeley Jones, the kind-hearted mannequin turned PR powerhouse on Ted Lasso. Thank goodness for that. Performed by an effervescent Juno Temple—who earned a SAG nomination for her efficiency and joined the forged in celebrating their win for excellent ensemble in a comedy collection—Keeley is at house in bubble gum–pink pantsuits, bangle-size hoop earrings, and her signature tippy-top ponytail. With Temple quickly to move into manufacturing for the Apple TV+ present’s third season, it’s solely pure that the actor would borrow a few of that glimmering exuberance for tonight’s SAG Awards, beginning with a gold chainmail Versace gown.

Temple together with her fishtail in progress, courtesy of hairstylist Mara Roszak.

Courtesy of Mara Roszak.

“It’s not ‘much less is extra,’ for certain,” hairstylist Mara Roszak says with fun, shortly after placing the ending touches on Temple’s tousled fishtail braid. “However it’s by no means an excessive amount of, both. It simply at all times works.” Pulling off theatrical glamour is one thing that Temple does so properly, Roszak says, describing the actor’s sense of journey and play. “The dress-up a part of it’s actually enjoyable to do with Juno as a result of she so appreciates style. Particularly Versace—it feels simply so her.” (Temple herself confirmed as a lot on the crimson carpet: “I needed to go to style faculty, and Versace chainmail has been one thing that I’ve fantasized about since I used to be in all probability 14 years previous. And now I’m carrying one!”)

Roszak’s key merchandise, together with Wella’s texture paste and her personal hair oil, plus steel wire for a minimalist hair-jewelry impact.

Courtesy of Mara Roszak.

The gown, a statuesque column with architectural shoulders, planted the artistic seeds for Roszak’s work. Main as much as the occasion, she and an assistant made a tour of Los Angeles notions shops, together with the hairstylist’s favourite Worldwide Silks and Woolens. “They’ve a complete flooring of various textures of ribbons and strings and thread,” she says of the woven gold rope and micro-thin wire she purchased to have available for in-the-moment improvisation. 

A element of the wire-wrapped fishtail braid. The Versace chainmail gown, with its back-zip element.

Courtesy of Mara Roszak.

Temple, in fact, arrived together with her personal pure assets. “Juno simply has this unimaginable wild mane of hair,” Roszak says of the actor’s headful of curls. The hairstylist started by massaging in a number of drops of Santa Lucia styling oil from her personal product line, RŌZ (pronounced rose). “Curly hair can actually take moisture, and she or he’s blonde—much more so,” explains Roszak, who adopted up that prep with a blowout and fast hits of a flat iron. It was all in preparation for a really Keeley transfer: a ponytail “tremendous, tremendous tight on the highest of her head—excessive, like on the crown.” As a substitute of the actor’s regular brushed-back hairline, there was somewhat sleight of hand by means of a fake bang. “A slight Audrey, kind of Frenchy side-swept factor—actually basic,” says Roszak of the hairpiece, which was custom-colored on the spot to match Temple’s shade of blonde. The short-term change was deferential to season three’s filming forward (continuity with hair being key) and reflective of Temple’s personal chameleonic method. (“Effectively, I like a clip-on ponytail on the whole,” the actor told V.F. final summer time. “So truly we’ve used a few of my private clip-on ponytails as Keeley.”)  

Glinting moments on the Sundown Tower Resort. 

Courtesy of Mara Roszak.

To create the showstopper braid, Roszak labored in a little bit of Wella’s EIMI matte texture paste—first to assemble the fishtail, then to deconstruct it, she says of the tousled, lived-in outcome. “With the shoulder pads within the gown, Juno may take some quantity.” A slip of gel utilized with a rattail comb helped tame the wayward flyaways (with out disturbing people who aided the halo impact).

The ending touches, naturally, echoed the gown. A band of gold rope, stitched collectively by Roszak right into a makeshift cuff, hugged the highest of the ponytail, whereas skinny gold wire sure the fishtail’s backside edge. The bracelet coiled round Temple’s left arm provided a visible rhyme. 

Temple, in her statuesque ingredient on the SAG Awards.

By Jeff Kravitz/Getty Photographs.

The make-up, too, by Chanel artist Kara Yoshimoto Bua, performed off the night’s metalwork. “I created a pure, stylish palette, elevating her look with a glint of gilded liquid shadow within the interior eyes and lid,” she explains of the clutch use of Chanel’s Ombré Première Laque in Or Ambré, which she utilized with a brush for a sheer wash. In any other case, from the softened brown eyeliner to the terra cotta blush and nude lip pencil, it was a lesson in refined understatement—all the higher to let the radiant Temple shine.

RŌZ Santa Lucia Styling Oil

Wella EIMI Rugged Texture Paste

Wella EIMI Pearl Styler Styling Gel

Wella EIMI Keep Agency Workable Ending Hairspray

Chanel Ombre Première Laque Longwear Eyeshadow in Or Ambré

Chanel Le Quantity de Chanel Mascara

Chanel Joues Contraste Powder Blush in Jersey

Chanel Le Crayon Lèvres Lip Pencil in Beige Naturel

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